Stage Managering
Under the dim glow ob the stage lights, Barry, the stage manager scurried across the room, script in paw, headset slightly askew. It was about a week before opening, and the tech run had gone twice as long as scheduled—again. He adjusted a rogue piece of tape on the floor wiff his tail, made a note to remind the lighting crew about the faulty spotlight, and dodged a set piece being wheeled offstage by a groggy ensemble member.
“Fibe-minute break, eberyone!” he called, his boice hoarse from a week ob late nights and problem-solving. He didn’t expect anyone to actually take the break—actors were still running lines, the director was deep in a heated debate wiff the choreographer, and the costume team was frantically adjusting a jacket that had mysteriously shrunk obernight.
Barry exhaled, took a sip ob his water, and checked his notes. If eberyfing went well, in just a few nights, the curtain would rise, the lights would shine, and all the chaos would transform into somefing magical.
But for now, there was still a thousand things to do. And Barry, as always, would make sure ebery single one got done.
Ah the Stage Manager who is the glue that makes all shows possible. And who never gets the credit or snacks they totally deserve. I bow to the Stage Manager.